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Monday, April 16, 2012

SPITTING INK DOCUMENTARY FEAT. RAMMELLZEE

RAMMELLZEE SPITTING INK


In an attempt to capture the essence of the poetry, as well as the poets who define the streets of New York, Spitting Ink follows eight spoken word artists as they traverse the streets, perform in situ, and talk about their motivation to write.

Rammellzee and six other contemporary poets talk about their love for words, why they write, and what inspires them to continue writing. They depict why poetry is still a vital written and oral tradition. Graffiti covered New York streets and bars are their stages. A stylized portrait of a worldwide underground phenomenon shot by a 3-man crew with a beat-up DAT recorder and a 40 year old 16mm camera. (Check out Ramm from 26:30)

Spitting Ink from ralph de haan on Vimeo.


RAMMELLZEE SPITTING INK

RAMMELLZEE SPITTING INK

RAMMELLZEE SPITTING INK

RAMMELLZEE SPITTING INK

Also starring: Beau Sia, Roger Bonair Agard, Bonafide Rojas, Celena Glenn, Beans (Anti Pop Consortium), Mike Ladd, The RammEllZee, BangBang

Directed By: Ralph De Haan & Lars Siemens

Synopsis:
In the United States, a poetry subculture has grown up around a group of young, spoken-word artists. Although the work they produce is widely diverse, it tends to have a strong affinity with contemporary social reality and urban culture. The poets’ work is not aimed at a mass audience, and they perform in small clubs. Each of them has found his or her own way to focus the power of the spoken word. Spitting Ink is a portrait of some of these artists. Interviews and live performances are interspersed with images of the streets of New York — not the orderly, well-to-do neighborhoods, but their lively and sometimes dilapidated backstreet counterparts, with their graffiti-covered walls, subway trains, and bars. Spoken-word artist Mike Ladd speaks about this poetry’s origins and background (its roots in gospel and other forms) and about how it reached a turning point with the arrival of rap. Beau Sia creates poetry both to impress the girls and to rebut prejudices about his Asiatic roots; Celena Glenn only writes once a year, when her head is full to overflowing and dozens of poems suddenly stream out.

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